7 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 508 x 610 mm frame: 589 x 697 x 51 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Seven Sisters Creator An entity primarily responsible for making the resource Erich Kahn Source A related resource from which the described resource is derived Accession Number: T03091 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Presented by Professor J.P. Hodin 1980 Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 7814 Describing Femininity Erich Kahn https://midterm.shearerj.sites.carleton.edu/files/original/16fcd13ad233cb4a5f38e6fc63664ee4.jpg dab48c5c9044081e786882f50029ceb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 972 x 1299 mm frame: 1100 x 1432 x 80 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Women Holding Flowers Creator An entity primarily responsible for making the resource Fernand Léger Source A related resource from which the described resource is derived Accession Number: T00246 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Purchased 1959 © ADAGP, Paris and DACS, London 2014 Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 8525 Describing Femininity Fernand Léger Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1897 Birthplace Charlottenburg, Deutschland Death Date 1977 Occupation Artist Bibliography http://www.tate.org.uk/art/artists/uli-nimptsch-1705 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Uli Nimptsch Identifier An unambiguous reference to the resource within a given context 1705 Describing Femininity Uli Nimptsch https://midterm.shearerj.sites.carleton.edu/files/original/26ce003fa5ccf5fd2f8b565eeffac28e.jpg bb7ccb9ab0cf6c5196e68fdd0d0569b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph on paper. Verso: lithograph on paper Physical Dimensions The actual physical size of the original image unconfirmed: 968 x 629 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled. Verso: So Freely Set on the Shapely Girlish Shoulders Creator An entity primarily responsible for making the resource Barnett Freedman Source A related resource from which the described resource is derived Accession Number: P11823 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Presented by Robert Simon 1976 © The estate of Barnett Freedman Type The nature or genre of the resource Lithograph on paper. Verso: lithograph on paper Identifier An unambiguous reference to the resource within a given context 67365 Barnett Freedman Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/031ae8c277644f11bd4de683f65f5f99.jpg eac51adc048b28f6186acb08fd4f9d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and oil paint on acetate Physical Dimensions The actual physical size of the original image support: 391 x 474 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weird Sister Creator An entity primarily responsible for making the resource Joseph Beuys Source A related resource from which the described resource is derived Accession Number: AR00100 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1953-62 Rights Information about rights held in and over the resource ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008. © DACS, 2014 Type The nature or genre of the resource Graphite and oil paint on acetate. Identifier An unambiguous reference to the resource within a given context 98537 Describing Femininity Joseph Beuys https://midterm.shearerj.sites.carleton.edu/files/original/1ce87240a6159d96defb12d4410a282b.jpg 0a3d45fca19ef1267295984635d7686b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite and watercolour on card. Physical Dimensions The actual physical size of the original image support: 193 x 122 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource White Woman in the Grass (Fairy) Creator An entity primarily responsible for making the resource Joseph Beuys Source A related resource from which the described resource is derived Accession Number: AR00101 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © DACS, 2014 Type The nature or genre of the resource Graphite and watercolour on card. Identifier An unambiguous reference to the resource within a given context 98539 Describing Femininity Joseph Beuys Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1895 Birthplace London, United Kingdom Death Date 1980 Occupation Artist Biographical Text William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist. Roberts is probably best remembered for the large, complex and colourful compositions that he exhibited annually at the Royal Academy summer exhibition from the 1950s until his death. He had a major retrospective at the Tate Gallery in 1965, and was elected a full member of the Royal Academy in 1966. There has recently been a revival of interest in the work of this artist who always worked outside the mainstream. Bibliography http://www.tate.org.uk/art/artists/william-roberts-1855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Roberts Identifier An unambiguous reference to the resource within a given context 1855 Describing Femininity William Roberts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1922 Birthplace Dundee, United Kingdom Death Date 2012 Occupation Artist Biographical Text William Turnbull (11 January 1922 – 15 November 2012) was a Scottish artist. Bibliography http://www.tate.org.uk/art/artists/william-turnbull-2075 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Turnbull Identifier An unambiguous reference to the resource within a given context 2075 Describing Femininity William Turnbull https://midterm.shearerj.sites.carleton.edu/files/original/285c9a7861c0c8172e45e647b995e68c.jpg daba0657b249f837e8424f503f08dc2b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Steel on aluminum base Physical Dimensions The actual physical size of the original image object: 410 x 425 x 208 mm, 8.7 kg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Creator An entity primarily responsible for making the resource Geoffrey Clarke Source A related resource from which the described resource is derived Accession Number: T02060 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1953 Rights Information about rights held in and over the resource Purchased 1976 © Geoffrey Clarke Type The nature or genre of the resource Steel on aluminium base Identifier An unambiguous reference to the resource within a given context 2246 Describing Femininity Geoffrey Clarke https://midterm.shearerj.sites.carleton.edu/files/original/9025c26263c7923270de16cf0c4107c5.jpg 165f5dd06a5afe93131f7c1952992913 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolour and charcoal on paper Physical Dimensions The actual physical size of the original image support: 512 x 385 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Creator An entity primarily responsible for making the resource Cecil Collins Source A related resource from which the described resource is derived Accession Number: T07831 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1954 Rights Information about rights held in and over the resource Bequeathed by Elisabeth Collins, the artist's widow, through the Art Fund 2001 © Tate Type The nature or genre of the resource Watercolour and charcoal on paper Identifier An unambiguous reference to the resource within a given context 66579 Cecil Collins Describing Femininity