6 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1915 Birthplace London, United Kingdom Death Date 1988 Occupation Artist Biographical Text Patrick Hayman (1915–1988) was an English artist who worked in a variety of media including painting, drawing and three-dimensional constructions as well as poetry. Although he only lived in Cornwall for a few years, he was closely associated with the St Ives School of painters and sculptors. Bibliography http://www.tate.org.uk/art/artists/patrick-hayman-1256 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Patrick Hayman Identifier An unambiguous reference to the resource within a given context 1256 Describing Femininity Patrick Hayman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1921 Birthplace Paris, France Death Date 2012 Occupation Artist Biographical Text Peter Laurent de Francia (25 January 1921 – 19 January 2012) was an Italian-British artist, who was Professor of Painting at the Royal College of Art (RCA), London, from 1972 to 1986. His paintings and drawing are included in art collections in Britain, and he was the author of two books on Fernand Léger, Leger: The Great Parade (Painters on Painting) (1969) and Fernand Léger (1983), and of several articles on art. Influenced by nineteenth-century socialist painters such as Gustave Courbet and Honoré Daumier, as well as by socially committed artists of his time like Renato Guttuso and Pablo Picasso, or germans artists such as Max Beckmann or George Grosz, de Francia used subjects that exposed the contradictions in everyday life to try to inspire change. Bibliography http://www.tate.org.uk/art/artists/peter-de-francia-985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter De Francia Identifier An unambiguous reference to the resource within a given context 985 Describing Femininity Peter De Francia https://midterm.shearerj.sites.carleton.edu/files/original/15191ebc4a6cf73d8b5e150c32f6e34d.jpg 9ba4d1f007fb71fd576e9f3b942732ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph on paper Physical Dimensions The actual physical size of the original image unconfirmed: 560 x 410 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of the Artist's Wife Creator An entity primarily responsible for making the resource Cecil Collins Source A related resource from which the described resource is derived Accession Number: P11373 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Bequeathed by Elly Kahnweiler 1991 to form part of the gift of Gustav and Elly Kahnweiler, accessioned 1994 © Tate Type The nature or genre of the resource Lithograph on paper Identifier An unambiguous reference to the resource within a given context 20911 Cecil Collins Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1913 Birthplace Buntingford, United Kingdom Death Date 1981 Occupation Artist Biographical Text Reginald Cotterell Butler (28 April 1913 – 23 October 1981) was an English sculptor. He was born at Bridgefoot House, Buntingford, Hertfordshire to Frederick William Butler (1880–1937) and Edith (1880–1969), daughter of blacksmith William Barltrop, of The Forge, Takeley, Essex. His parents were the Master and Matron of the Buntingford Union Workhouse. Frederick Butler, formerly a police constable, was a relative of the poet William Butler Yeats; Edith was of Anglo-French descent. Butler studied and lectured at the Architectural Association School of Architecture in London from 1937 to 1939. He was a conscientious objector during the Second World War, being exempted from military service conditional upon setting up a small blacksmith business repairing farm implements. After winning the 'Unknown Political Prisoner' competition in 1953 he became one of the best known sculptors during the 1950s and 1960s, and also taught at the Slade School of Art. Butler's later work consists of lifelike models of female figures, such as Girl on a Round Base, that have something in common with Hans Bellmer and the sculpture of Allen Jones and prefigure the work of Ron Mueck. Bibliography http://www.tate.org.uk/art/artists/reg-butler-844 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reg Butler Identifier An unambiguous reference to the resource within a given context 844 Describing Femininity Reg Butler Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1924 Birthplace Zürich, Schweiz Death Date 2019 Occupation Artist Biographical Text Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage. Bibliography http://www.tate.org.uk/art/artists/robert-frank-5275 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert Frank Identifier An unambiguous reference to the resource within a given context 5275 Describing Femininity Robert Frank https://midterm.shearerj.sites.carleton.edu/files/original/8a39b099610772ef25416828791bd02e.jpg dac44d9438b6748e1214c1b074cbb12d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 600 x 251 x 311 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seated Woman with Square Head (Version B) Creator An entity primarily responsible for making the resource Kenneth Armitage Source A related resource from which the described resource is derived Accession Number: T03708 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Transferred from the Victoria & Albert Museum 1983 © The Kenneth Armitage Foundation Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 581 Describing Femininity Kenneth Armitage Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1924 Birthplace Surrey, United Kingdom Death Date 2013 Occupation Artist Biographical Text Sir Anthony Alfred Caro (8 March 1924 – 23 October 2013) was an English abstract sculptor whose work is characterised by assemblages of metal using 'found' and industrial objects. He began as a member of the modernist school, having worked with Henry Moore early in his career. He was lauded as the greatest British sculptor of his generation. Bibliography http://www.tate.org.uk/art/artists/sir-anthony-caro-865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Anthony Caro Identifier An unambiguous reference to the resource within a given context 865 Describing Femininity Sir Anthony Caro https://midterm.shearerj.sites.carleton.edu/files/original/eb630b06620aeef02ce8ebe77a0a5f01.jpg f80e834891bd87595de87cf9c24e7b40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Physical Dimensions The actual physical size of the original image 133 x 178 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for ‘Leda and the Swan’ Creator An entity primarily responsible for making the resource William Roberts Source A related resource from which the described resource is derived Accession Number: T12701 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1950 Rights Information about rights held in and over the resource Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2007 © The estate of William Roberts Type The nature or genre of the resource Graphite on paper Identifier An unambiguous reference to the resource within a given context 99424 Describing Femininity William Roberts https://midterm.shearerj.sites.carleton.edu/files/original/51066f6fe195d262ed2423f0d1d9292b.jpg 2c3e22815d45f7643c3c22ef11b82498 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Physical Dimensions The actual physical size of the original image 178 x 127 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for ‘The Birth of Venus’ Creator An entity primarily responsible for making the resource William Roberts Source A related resource from which the described resource is derived Accession Number: T12677 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1954 Rights Information about rights held in and over the resource Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2007 © The estate of William Roberts Type The nature or genre of the resource Graphite on paper Identifier An unambiguous reference to the resource within a given context 99385 Describing Femininity William Roberts https://midterm.shearerj.sites.carleton.edu/files/original/52ea69f3226141662b8631f3dce6cab1.jpg 1ae5f53bc22973580632b97214208259 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 127 x 349 x 127 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for Woman Resting Creator An entity primarily responsible for making the resource Reg Butler Source A related resource from which the described resource is derived Accession Number: T00263 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Purchased 1959 © The estate of Reg Butler Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 1880 Describing Femininity Reg Butler