5 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph, gelatin silver print on paper Physical Dimensions The actual physical size of the original image image: 227 x 439 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mary watering flowers with Andrea and Pablo Creator An entity primarily responsible for making the resource Robert Frank Source A related resource from which the described resource is derived Accession Number: P13076 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1951 Rights Information about rights held in and over the resource Presented by Pierre Brahm 2008 Type The nature or genre of the resource Photograph, gelatin silver print on paper Identifier An unambiguous reference to the resource within a given context 100080 Describing Femininity Robert Frank https://midterm.shearerj.sites.carleton.edu/files/original/55077d1c29d660e4b01d322bce428544.jpg 33daad02cc69cbe883b6edc7d3e1e2fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 562 x 406 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miss Beatrice M. Dale Cast Creator An entity primarily responsible for making the resource Jesse Dale Cast Source A related resource from which the described resource is derived Accession Number: T04878 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950 and c.1964 Rights Information about rights held in and over the resource Presented by David Cast, the artist's son, through the Art Fund 1987 © The estate of Jesse Dale Cast Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 2011 Describing Femininity Jesse Dale Cast https://midterm.shearerj.sites.carleton.edu/files/original/6abb68cd20adee12e6f56813aa66e15d.jpg c8a8800ac0485bcb8d7313712b160392 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze on wooden base Physical Dimensions The actual physical size of the original image object: 530 x 270 x 345 mm, 16 kg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child Creator An entity primarily responsible for making the resource Henry Moore, OM, CH Source A related resource from which the described resource is derived Accession Number: T00389 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1953 Rights Information about rights held in and over the resource Presented by the Friends of the Tate Gallery 1960 © The Henry Moore Foundation; All rights reserved DACS 2014 Type The nature or genre of the resource Bronze on wooden base Identifier An unambiguous reference to the resource within a given context 10233 Describing Femininity Henry Moore OM CH https://midterm.shearerj.sites.carleton.edu/files/original/2dcce349ac32de026258f579307ca612.jpg 9ffb8eedc0c6c1c1a59c2c3c696da741 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Charcoal and Conté crayon on paper Physical Dimensions The actual physical size of the original image image: 772 x 573 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child Creator An entity primarily responsible for making the resource Peter De Francia Source A related resource from which the described resource is derived Accession Number: T11824 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1953 Rights Information about rights held in and over the resource Purchased 2004 © Estate of Peter de Francia Type The nature or genre of the resource Charcoal and Conté crayon on paper Identifier An unambiguous reference to the resource within a given context 80187 Describing Femininity Peter De Francia https://midterm.shearerj.sites.carleton.edu/files/original/3f627b113d5ff75b6658afff9b45c5a8.jpg 9c2505f46f1c127a3dbf9677fe227b8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas board Physical Dimensions The actual physical size of the original image frame: 384 x 309 x 31 mm support: 256 x 179 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child near a Town Creator An entity primarily responsible for making the resource Patrick Hayman Source A related resource from which the described resource is derived Accession Number: T02239 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource Bequeathed by Miss E.M. Hodgkins 1977 © The estate of Patrick Hayman Type The nature or genre of the resource Oil paint on canvas board Identifier An unambiguous reference to the resource within a given context 5900 Describing Femininity Patrick Hayman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wood, plastic and metal Physical Dimensions The actual physical size of the original image object: 320 x 380 x 120 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Daughter Creator An entity primarily responsible for making the resource F.E. McWilliam Source A related resource from which the described resource is derived Accession Number: T03758 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1951 Rights Information about rights held in and over the resource Transferred from the Victoria & Albert Museum 1983 Type The nature or genre of the resource Wood, plastic and metal Identifier An unambiguous reference to the resource within a given context 9151 Describing Femininity F.E. McWilliam https://midterm.shearerj.sites.carleton.edu/files/original/26a5340dfdd5c1c98530167f8fbbf01f.jpg 60f50d6edb598daee966f3aa8c9fb751 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on board Physical Dimensions The actual physical size of the original image support: 1829 x 1219 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother Bathing Child Creator An entity primarily responsible for making the resource Jack Smith Source A related resource from which the described resource is derived Accession Number: T00005 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1953 Rights Information about rights held in and over the resource Purchased 1955 © The estate of Jack Smith Type The nature or genre of the resource Oil paint on board Identifier An unambiguous reference to the resource within a given context 13506 Describing Femininity Jack Smith Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 584 x 1105 x 610 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Olympia Creator An entity primarily responsible for making the resource Uli Nimptsch Source A related resource from which the described resource is derived Accession Number: T00097 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1953-56 Rights Information about rights held in and over the resource Purchased 1956 Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 10746 Describing Femininity Uli Nimptsch https://midterm.shearerj.sites.carleton.edu/files/original/89efbde6574bad96d082960b8cb43803.jpg 51ef90bc61ec4c77efddd54462abf229 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze on wooden base Physical Dimensions The actual physical size of the original image object: 544 x 185 x 135 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ophelia Creator An entity primarily responsible for making the resource Reg Butler Source A related resource from which the described resource is derived Accession Number: T00262 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Purchased 1959 © The estate of Reg Butler Type The nature or genre of the resource Bronze on wooden base Identifier An unambiguous reference to the resource within a given context 1879 Describing Femininity Reg Butler Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1881 Birthplace Málaga, España Death Date 1973 Occupation Artist Biographical Text School of Paris painter, sculptor, etcher, lithographer, ceramist and designer, who has had enormous influence on 20th century art and worked in an unprecedented variety of styles. Born at Malaga, Spain, son of an art teacher. His family moved to Barcelona, where he entered the School of Fine Arts 1895; then entered Madrid Academy 1897. Early showed great precocity. First visited Paris in autumn 1900, returned in 1901 when he had his first Paris one-man exhibition at the Galerie Vollard. Blue Period paintings of beggars and sad-faced women. Settled in Paris 1904. In 1905 painted some pictures of circus folk and embarked on his Rose Period. 'Les Demoiselles d'Avignon' 1906-7 marked the beginning of a more revolutionary manner, influenced by Cezanne and Negro art. Met Braque in 1907 and with his collaboration created Cubism. Designed sets and costumes for Parade and other Diaghilev ballets 1917-24. Made some neo-classic figure paintings 1920-4, parallel to later Cubism. Started to make more violently expressive and metamorphic works in 1925, and in the following years frequently exhibited with the Surrealists. Important series of wrought-iron constructions and modelled sculptures 1928-34, illustrations for Ovid's Les Métamorphoses, Buffon's Histoire Naturelle etc. Awarded First Prize at the 1930 Pittsburgh International. His painting 'Guernica' 1937 was inspired by the destruction by bombing of the Spanish town of that name. Continued to live in Paris throughout the Occupation. From 1946 lived mainly in the South of France at Antibes, Vallauris, Cannes, and from 1958 near Aix-en-Provence, where he maintained a prolific output of paintings, sculptures, etchings, lithographs and ceramics. Died at Mougins, near Cannes. Bibliography http://www.tate.org.uk/art/artists/pablo-picasso-1767 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pablo Picasso Identifier An unambiguous reference to the resource within a given context 1767 Describing Femininity Pablo Picasso