4 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1897 Birthplace Chicago, United States Death Date 1983 Occupation Artist Biographical Text Ivan Le Lorraine Albright (February 20, 1897 – November 18, 1983) was an American painter, sculptor and print-maker most renowned for his self-portraits, character studies, and still lifes. Due to his technique and dark subject matter, he is often categorized among the Magic Realists and is sometimes referred to as the "master of the macabre". From a family of artists and artisans, Albright emerged on the American art scene in the 1930s and established a reputation as one of the most enigmatic of the American Realists. He shocked, awed and upset the viewing public through his emphasis on the fragility of the body, flesh and the human condition with such works as The Lineman (1928), That Which I Should Have Done I Did Not Do (The Door) (1931), and The Picture of Dorian Gray (1943). His work to highlight the minute detail and texture of every surface often required him to spend years or decades on a single painting. While Albright's works can be found in museums throughout the United States, the most important repository of his works is at the Art Institute of Chicago. Bibliography http://www.tate.org.uk/art/artists/ivan-albright-637 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivan Albright Identifier An unambiguous reference to the resource within a given context 637 Describing Femininity Ivan Albright https://midterm.shearerj.sites.carleton.edu/files/original/eb630b06620aeef02ce8ebe77a0a5f01.jpg f80e834891bd87595de87cf9c24e7b40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Physical Dimensions The actual physical size of the original image 133 x 178 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for ‘Leda and the Swan’ Creator An entity primarily responsible for making the resource William Roberts Source A related resource from which the described resource is derived Accession Number: T12701 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1950 Rights Information about rights held in and over the resource Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2007 © The estate of William Roberts Type The nature or genre of the resource Graphite on paper Identifier An unambiguous reference to the resource within a given context 99424 Describing Femininity William Roberts https://midterm.shearerj.sites.carleton.edu/files/original/51066f6fe195d262ed2423f0d1d9292b.jpg 2c3e22815d45f7643c3c22ef11b82498 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper Physical Dimensions The actual physical size of the original image 178 x 127 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for ‘The Birth of Venus’ Creator An entity primarily responsible for making the resource William Roberts Source A related resource from which the described resource is derived Accession Number: T12677 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1954 Rights Information about rights held in and over the resource Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2007 © The estate of William Roberts Type The nature or genre of the resource Graphite on paper Identifier An unambiguous reference to the resource within a given context 99385 Describing Femininity William Roberts https://midterm.shearerj.sites.carleton.edu/files/original/2dcce349ac32de026258f579307ca612.jpg 9ffb8eedc0c6c1c1a59c2c3c696da741 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Charcoal and Conté crayon on paper Physical Dimensions The actual physical size of the original image image: 772 x 573 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child Creator An entity primarily responsible for making the resource Peter De Francia Source A related resource from which the described resource is derived Accession Number: T11824 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1953 Rights Information about rights held in and over the resource Purchased 2004 © Estate of Peter de Francia Type The nature or genre of the resource Charcoal and Conté crayon on paper Identifier An unambiguous reference to the resource within a given context 80187 Describing Femininity Peter De Francia https://midterm.shearerj.sites.carleton.edu/files/original/9025c26263c7923270de16cf0c4107c5.jpg 165f5dd06a5afe93131f7c1952992913 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolour and charcoal on paper Physical Dimensions The actual physical size of the original image support: 512 x 385 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman Creator An entity primarily responsible for making the resource Cecil Collins Source A related resource from which the described resource is derived Accession Number: T07831 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource c. 1954 Rights Information about rights held in and over the resource Bequeathed by Elisabeth Collins, the artist's widow, through the Art Fund 2001 © Tate Type The nature or genre of the resource Watercolour and charcoal on paper Identifier An unambiguous reference to the resource within a given context 66579 Cecil Collins Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/7e3bfa52fda1911a62271fd726a43297.jpg d4f27f871c085503aeb359297edd594d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 90 x 137 x 125 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Female Fig Leaf Creator An entity primarily responsible for making the resource Marcel Duchamp Source A related resource from which the described resource is derived Accession Number: T07279 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950, cast 1961 Rights Information about rights held in and over the resource Purchased with assistance from the National Lottery through the Heritage Lottery Fund 1997 © Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2014 Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 22017 Describing Femininity Marcel Duchamp https://midterm.shearerj.sites.carleton.edu/files/original/ad2ebb23174390f05511789d760b39a4.jpg 8a592b1f2cd01af4b12acc3d998d7a6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper. Verso: graphite on paper Physical Dimensions The actual physical size of the original image support: 217 x 267 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drawing from Veronese’s ‘The Magdalen Laying Down her Jewels’ (National Gallery). Verso: Drawing from Veronese’s ‘The Magdalen Laying Down her Jewels’ (National Gallery) Creator An entity primarily responsible for making the resource Frank Auerbach Source A related resource from which the described resource is derived Accession Number: T06697 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Presented by the executors of the estate of David Wilkie 1993 © Frank Auerbach Type The nature or genre of the resource Graphite on paper. Verso: graphite on paper Identifier An unambiguous reference to the resource within a given context 20654 Describing Femininity Frank Auerbach https://midterm.shearerj.sites.carleton.edu/files/original/57372f60066561c326be3e6c1a372c0a.jpg 97c0eb972edca1f0e5d26a52265b4c82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 742 x 635 x 578 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lady Herbert Creator An entity primarily responsible for making the resource Gertrude Hermes Source A related resource from which the described resource is derived Accession Number: T05522 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1951 Rights Information about rights held in and over the resource Presented by John Herbert, in accordance with the wishes of his late mother, Lady Herbert 1989 © The estate of Gertrude Hermes Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 2109 Describing Femininity Gertrude Hermes https://midterm.shearerj.sites.carleton.edu/files/original/55077d1c29d660e4b01d322bce428544.jpg 33daad02cc69cbe883b6edc7d3e1e2fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 562 x 406 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miss Beatrice M. Dale Cast Creator An entity primarily responsible for making the resource Jesse Dale Cast Source A related resource from which the described resource is derived Accession Number: T04878 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950 and c.1964 Rights Information about rights held in and over the resource Presented by David Cast, the artist's son, through the Art Fund 1987 © The estate of Jesse Dale Cast Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 2011 Describing Femininity Jesse Dale Cast https://midterm.shearerj.sites.carleton.edu/files/original/6bc1c02d0d202aaefe0f44b5cc194ce0.jpg 78740c283d287c9095ea9cac1a743a18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze, steel and plastic Physical Dimensions The actual physical size of the original image object: 155 x 410 x 248 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bathtub for a Heroine Creator An entity primarily responsible for making the resource Joseph Beuys Source A related resource from which the described resource is derived Accession Number: T03920 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950, cast 1984 Rights Information about rights held in and over the resource Presented by the artist 1984 © DACS, 2014 Type The nature or genre of the resource Bronze, steel and plastic Identifier An unambiguous reference to the resource within a given context 966 Describing Femininity Joseph Beuys