3 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1924 Birthplace Derbyshire, United Kingdom Occupation Artist Biographical Text Geoffrey Clarke (28 November 1924 – 30 October 2014) was a British sculptor of ecclesiastical art and maker of stained glass. Bibliography http://www.tate.org.uk/art/artists/geoffrey-clarke-912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geoffrey Clarke Identifier An unambiguous reference to the resource within a given context 912 Describing Femininity Geoffrey Clarke Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1901 Birthplace Bromley, United Kingdom Death Date 1983 Occupation Artist Biographical Text Gertrude Anna Bertha Hermes (18 August 1901 – 9 May 1983) was a British wood-engraver and sculptor. Hermes was a member of the English Wood Engraving Society (1925–31) and exhibited with the Society of Wood Engravers, the Royal Academy and The London Group during the 1930s. Bibliography http://www.tate.org.uk/art/artists/gertrude-hermes-1277 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gertrude Hermes Identifier An unambiguous reference to the resource within a given context 1277 Describing Femininity Gertrude Hermes https://midterm.shearerj.sites.carleton.edu/files/original/38bfb6d815268c16e87ca8d513a90ecf.jpg 76e512c8c8bd22c954a35b4abe181e0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 1778 x 406 x 241 mm, 120.6 kg (25.6kg figure / 95kg base) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Girl Creator An entity primarily responsible for making the resource Reg Butler Source A related resource from which the described resource is derived Accession Number: N06223 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1953-54 Rights Information about rights held in and over the resource Purchased 1954 © The estate of Reg Butler Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 1874 Describing Femininity Reg Butler https://midterm.shearerj.sites.carleton.edu/files/original/f31ec9cc705eaf88412d3a53723699b5.jpg cad29ad7f2109e94af56c7b37bc3cc6a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 762 x 1016 mm frame: 954 x 1200 x 92 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Girl with a White Dog Creator An entity primarily responsible for making the resource Lucian Freud Source A related resource from which the described resource is derived Accession Number: N06039 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950-51 Rights Information about rights held in and over the resource Purchased 1952 © Tate Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 4548 Describing Femininity Lucian Freud https://midterm.shearerj.sites.carleton.edu/files/original/e24a1790f99e7e4e965a11760a62d1bc.jpg 6092d7c959e54fe829e61e832d1290c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Physical Dimensions The actual physical size of the original image support: 502 x 356 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Head and Shoulders of a Girl Creator An entity primarily responsible for making the resource Emilio Greco Source A related resource from which the described resource is derived Accession Number: T00015 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Purchased 1955 Type The nature or genre of the resource Ink on paper Identifier An unambiguous reference to the resource within a given context 5636 Describing Femininity Emilio Greco https://midterm.shearerj.sites.carleton.edu/files/original/c3a83b7c7c885c45208d18fb491bca0b.jpg 7dee24061765f217785405d0f142e4ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink on paper Physical Dimensions The actual physical size of the original image support: 498 x 356 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Head of a Girl Creator An entity primarily responsible for making the resource Emilio Greco Source A related resource from which the described resource is derived Accession Number: T00016 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954 Rights Information about rights held in and over the resource Purchased 1955 Type The nature or genre of the resource Ink on paper Identifier An unambiguous reference to the resource within a given context 5637 Describing Femininity Emilio Greco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1898 Birthplace Castleford, United Kingdom Death Date 1986 Occupation Artist Biographical Text Henry Spencer Moore (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Moore also produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper. His forms are usually abstractions of the human figure, typically depicting mother-and-child or reclining figures. Moore's works are usually suggestive of the female body, apart from a phase in the 1950s when he sculpted family groups. His forms are generally pierced or contain hollow spaces. Many interpreters liken the undulating form of his reclining figures to the landscape and hills of his Yorkshire birthplace. Moore became well known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom. His ability in later life to fulfil large-scale commissions made him exceptionally wealthy. Despite this, he lived frugally; most of the money he earned went towards endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. Bibliography http://www.tate.org.uk/art/artists/henry-moore-om-ch-1659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry Moore, OM, CH Identifier An unambiguous reference to the resource within a given context 1659 Describing Femininity Henry Moore OM CH Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1897 Birthplace Chicago, United States Death Date 1983 Occupation Artist Biographical Text Ivan Le Lorraine Albright (February 20, 1897 – November 18, 1983) was an American painter, sculptor and print-maker most renowned for his self-portraits, character studies, and still lifes. Due to his technique and dark subject matter, he is often categorized among the Magic Realists and is sometimes referred to as the "master of the macabre". From a family of artists and artisans, Albright emerged on the American art scene in the 1930s and established a reputation as one of the most enigmatic of the American Realists. He shocked, awed and upset the viewing public through his emphasis on the fragility of the body, flesh and the human condition with such works as The Lineman (1928), That Which I Should Have Done I Did Not Do (The Door) (1931), and The Picture of Dorian Gray (1943). His work to highlight the minute detail and texture of every surface often required him to spend years or decades on a single painting. While Albright's works can be found in museums throughout the United States, the most important repository of his works is at the Art Institute of Chicago. Bibliography http://www.tate.org.uk/art/artists/ivan-albright-637 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivan Albright Identifier An unambiguous reference to the resource within a given context 637 Describing Femininity Ivan Albright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1928 Birthplace Sheffield, United Kingdom Death Date 2011 Occupation Artist Biographical Text Jack Smith (18 June 1928 – 11 June 2011) was a British realist and, later, abstract artist. Bibliography http://www.tate.org.uk/art/artists/jack-smith-1956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack Smith Identifier An unambiguous reference to the resource within a given context 1956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1900 Death Date 1976 Occupation Artist Bibliography http://www.tate.org.uk/art/artists/jesse-dale-cast-871 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jesse Dale Cast Identifier An unambiguous reference to the resource within a given context 871 Describing Femininity Jesse Dale Cast