2 10 75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1937 Birthplace Bedford, United Kingdom Occupation Artist Biographical Text David Hockney (born 9 July 1937) is an English painter, draughtsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th and 21st centuries. Hockney has owned residences and studios in Bridlington and London as well as two residences in California, where he has lived intermittently since 1964: one in the Hollywood Hills, one in Malibu. He has an office and stores his archives on Santa Monica Boulevard in West Hollywood, California. On 15 November 2018, Hockney's 1972 work Portrait of an Artist (Pool with Two Figures) sold at Christie's auction house in New York City for $90 million (£70 million), becoming the most expensive artwork by a living artist sold at auction. It broke the previous record which was set by the 2013 sale of Jeff Koons' Balloon Dog (Orange) for $58.4 million. Hockney held the record until 15 May 2019 when Koons reclaimed the honour by selling his Rabbit for more than $91 million at Christie's in New York. Bibliography http://www.tate.org.uk/art/artists/david-hockney-1293 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Hockney Identifier An unambiguous reference to the resource within a given context 1293 David Hockney Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/ad2ebb23174390f05511789d760b39a4.jpg 8a592b1f2cd01af4b12acc3d998d7a6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Graphite on paper. Verso: graphite on paper Physical Dimensions The actual physical size of the original image support: 217 x 267 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Drawing from Veronese’s ‘The Magdalen Laying Down her Jewels’ (National Gallery). Verso: Drawing from Veronese’s ‘The Magdalen Laying Down her Jewels’ (National Gallery) Creator An entity primarily responsible for making the resource Frank Auerbach Source A related resource from which the described resource is derived Accession Number: T06697 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Presented by the executors of the estate of David Wilkie 1993 © Frank Auerbach Type The nature or genre of the resource Graphite on paper. Verso: graphite on paper Identifier An unambiguous reference to the resource within a given context 20654 Describing Femininity Frank Auerbach Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1913 Birthplace Catania, Italia Death Date 1995 Occupation Artist Biographical Text Emilio Greco (11 October 1913 – 4 April 1995) was an Italian sculptor, engraver, medallist, writer and poet. He is best known for his monumental bronze sculptures which are located around the world in museums such as - Tate Modern (London), Hermitage (Saint Petersburg) Museu Coleção Berardo (Lisbon), and Hawke's Bay Museum (New Zealand). Bibliography http://www.tate.org.uk/art/artists/emilio-greco-1211 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emilio Greco Identifier An unambiguous reference to the resource within a given context 1211 Describing Femininity Emilio Greco Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1904 Birthplace Stuttgart, Deutschland Death Date 1979 Occupation Artist Biographical Text Erich Kahn (1904–1979) was a German Expressionist, and a survivor of the Nazi persecution of Jews and Romani people during the events that led to World War II. Bibliography http://www.tate.org.uk/art/artists/erich-kahn-1381 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erich Kahn Identifier An unambiguous reference to the resource within a given context 1381 Describing Femininity Erich Kahn https://midterm.shearerj.sites.carleton.edu/files/original/819299e1a6f1f8019644573099299195.jpg d75c4976d74e2cf8797e87a811923cd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on canvas Physical Dimensions The actual physical size of the original image support: 2388 x 1721 x 50 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eve Creator An entity primarily responsible for making the resource Barnett Newman Source A related resource from which the described resource is derived Accession Number: T03081 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950 Rights Information about rights held in and over the resource Purchased 1980 © ARS, NY and DACS, London 2014 Type The nature or genre of the resource Oil paint on canvas Identifier An unambiguous reference to the resource within a given context 10641 Barnett Newman Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1909 Birthplace Down, United Kingdom Death Date 1992 Occupation Artist Bibliography http://www.tate.org.uk/art/artists/fe-mcwilliam-1613 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.E. McWilliam Identifier An unambiguous reference to the resource within a given context 1613 Describing Femininity F.E. McWilliam https://midterm.shearerj.sites.carleton.edu/files/original/bac6f8a5db2f4ab1c922cbb6f2feb2fa.jpg 212a8fb197b82d5ff4cce5d4778981ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink and watercolour on paper. Physical Dimensions The actual physical size of the original image image: 688 x 560 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Female Bust, Two Children with Marbleised Background Creator An entity primarily responsible for making the resource Andy Warhol Source A related resource from which the described resource is derived Accession Number: AR00242 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1952 Rights Information about rights held in and over the resource ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 Type The nature or genre of the resource Ink and watercolour on paper. Identifier An unambiguous reference to the resource within a given context 97407 Andy Warhol Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/7e3bfa52fda1911a62271fd726a43297.jpg d4f27f871c085503aeb359297edd594d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 90 x 137 x 125 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Female Fig Leaf Creator An entity primarily responsible for making the resource Marcel Duchamp Source A related resource from which the described resource is derived Accession Number: T07279 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950, cast 1961 Rights Information about rights held in and over the resource Purchased with assistance from the National Lottery through the Heritage Lottery Fund 1997 © Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2014 Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 22017 Describing Femininity Marcel Duchamp Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1881 Birthplace Argentan, France Death Date 1955 Occupation Artist Biographical Text Joseph Fernand Henri Léger (French: [fɛʁnɑ̃ leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Bibliography http://www.tate.org.uk/art/artists/fernand-leger-1488 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fernand Léger Identifier An unambiguous reference to the resource within a given context 1488 Describing Femininity Fernand Léger Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1931 Birthplace Berlin, Deutschland Occupation Artist Biographical Text Auerbach was born in Berlin of Jewish parents; his father was a lawyer and his mother a former art student. In 1939 he was sent to England to escape Nazism. His parents, who remained behind, died in concentration camps. He spent his childhood at a progressive boarding school, Bunce Court, at Lenham near Faversham, Kent, a school for Jewish refugee children. During the war years the school was evacuated to Shropshire. He attended St Martin's School of Art, London, from 1948 to 1952, and studied with David Bomberg in night classes at Borough Polytechnic. It was during this period that he developed a friendship with fellow student Leon Kossoff. Auerbach studied at the Royal College of Art from 1952 to 1955. He has used three principal models throughout his career: his wife Julia, who first posed for him in 1959; Juliet Yardley Mills ('J.Y.M.'), a professional model whom he met in 1957; and his close friend Estella (Stella) West ('E.O.W.'), the model for most of his nudes and female heads prior to 1973. Rarely leaving Britain, he lives and works in London and has had the same studio since the 1950s. The dealer Helen Lessore at the Beaux-Arts Gallery, London, gave Auerbach his first solo show in 1956. He was criticised for his thick application of paint, but found support from the critic David Sylvester, who wrote of 'the most exciting and impressive first one-man show by an English painter since Francis Bacon in 1949'. Sylvester countered remarks by various critics that the artist's work was closer to sculpture than to painting: 'in spite of the heaped-up paint, these are painterly images, not sculptural ones, have to be read as paintings, not as polychrome reliefs, and make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting' (Sylvester, 'Young English Painting', The Listener, 12 January 1956). Kossoff later echoed these sentiments: 'in spite of the excessive piling on of paint, the effect of these works on the mind is of images recovered and reconceived in the barest and most particular light, the same light that seems to glow through the late, great, thin Turners ... an unpremeditated manifestation arising from the constant application of true draughtsmanship' (in Frank Auerbach, exhibition catalogue, Arts Council, Hayward Gallery, London 1978, p.9). Auerbach exhibited regularly at the Beaux-Arts Gallery until 1963. From 1965 he exhibited at the Marlborough Gallery. He was given an Arts Council retrospective at the Hayward Gallery, London in 1978, and had solo exhibitions at the British Pavilion in the 1986 Venice Biennale, and at the Rijksmuseum Vincent Van Gogh, Amsterdam, 1989. Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961, '54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976. Bibliography http://www.tate.org.uk/art/artists/frank-auerbach-676 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frank Auerbach Identifier An unambiguous reference to the resource within a given context 676 Describing Femininity Frank Auerbach