1 10 75 https://midterm.shearerj.sites.carleton.edu/files/original/61430b21fd30997b00343c42c3756c9b.jpg 021d199343db6ad4efe9eab9ce016bb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Monotype on paper Physical Dimensions The actual physical size of the original image image: 764 x 559 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Acrobat and Female Creator An entity primarily responsible for making the resource William Turnbull Source A related resource from which the described resource is derived Accession Number: P77467 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Purchased 1990 © William Turnbull. All Rights Reserved, DACS 2014 Type The nature or genre of the resource Monotype on paper Identifier An unambiguous reference to the resource within a given context 19198 Describing Femininity William Turnbull Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1920 Birthplace Grangemouth, United Kingdom Death Date 2014 Occupation Artist Biographical Text James Alan Davie (28 September 1920 – 5 April 2014) was a Scottish painter and musician. Bibliography http://www.tate.org.uk/art/artists/alan-davie-979 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alan Davie Identifier An unambiguous reference to the resource within a given context 979 Alan Davie Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1928 Birthplace Pittsburgh, United States Death Date 1987 Occupation Artist Biographical Text Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol is considered one the most important artists of the second half of the 20th century. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, sculpture, photography, and filmmaking. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), the multimedia events known as the Exploding Plastic Inevitable (1966–67), and the erotic film Blue Movie (1969) that started the "Golden Age of Porn". Bibliography http://www.tate.org.uk/art/artists/andy-warhol-2121 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andy Warhol Identifier An unambiguous reference to the resource within a given context 2121 Andy Warhol Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1901 Birthplace London, United Kingdom Death Date 1958 Occupation Artist Biographical Text Barnett Freedman (19 May 1901 – 4 January 1958) was a British painter, commercial designer, book illustrator, typographer, and lithographer. Bibliography http://www.tate.org.uk/art/artists/barnett-freedman-1116 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barnett Freedman Identifier An unambiguous reference to the resource within a given context 1116 Barnett Freedman Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1905 Birthplace New York, United States Death Date 1970 Occupation Artist Biographical Text Barnett Newman (January 29, 1905 – July 4, 1970) was an American painter. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense of place that viewers experience with art and incorporate the simplest forms to emphasize this feeling. Bibliography http://www.tate.org.uk/art/artists/barnett-newman-1699 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Barnett Newman Identifier An unambiguous reference to the resource within a given context 1699 Barnett Newman Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/1add11aabcb586c7aa5c4a5c6a74963e.jpg 0d5ba1e94c6eeefe2d0594695345db3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolour and gold paint on paper and board. Physical Dimensions The actual physical size of the original image support: 213 x 304 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bathroom of Circe Creator An entity primarily responsible for making the resource Joseph Beuys Source A related resource from which the described resource is derived Accession Number: AR00636 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1954-58 Rights Information about rights held in and over the resource ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © DACS, 2014 Type The nature or genre of the resource Watercolour and gold paint on paper and board. Identifier An unambiguous reference to the resource within a given context 98545 Describing Femininity Joseph Beuys https://midterm.shearerj.sites.carleton.edu/files/original/6bc1c02d0d202aaefe0f44b5cc194ce0.jpg 78740c283d287c9095ea9cac1a743a18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze, steel and plastic Physical Dimensions The actual physical size of the original image object: 155 x 410 x 248 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bathtub for a Heroine Creator An entity primarily responsible for making the resource Joseph Beuys Source A related resource from which the described resource is derived Accession Number: T03920 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1950, cast 1984 Rights Information about rights held in and over the resource Presented by the artist 1984 © DACS, 2014 Type The nature or genre of the resource Bronze, steel and plastic Identifier An unambiguous reference to the resource within a given context 966 Describing Femininity Joseph Beuys https://midterm.shearerj.sites.carleton.edu/files/original/792cad85f5b9c8e57d1bb7ea77fee679.jpg 531b1135445b40a20d9661fa3328a3f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil paint on board Physical Dimensions The actual physical size of the original image support: 1600 x 2438 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birth of Venus Creator An entity primarily responsible for making the resource Alan Davie Source A related resource from which the described resource is derived Accession Number: T00203 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1955 Rights Information about rights held in and over the resource Purchased 1958 © Alan Davie Type The nature or genre of the resource Oil paint on board Identifier An unambiguous reference to the resource within a given context 3643 Alan Davie Describing Femininity Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Artists Person An individual. Birth Date 1908 Birthplace Plymouth, United Kingdom Death Date 1989 Occupation Artist Biographical Text Cecil Collins was born in Plymouth, Devon on 23 March 1908. He early life was physically and economically difficult and he was apprenticed to an engineering firm for a year before winning scholarships to Plymouth School of Art (1924-7) and the Royal College of Art in London (1927-31). At the College he won the William Rothenstein Life Drawing Prize. He also met and, in 1931, married Elisabeth Ramsden, a sculpture student. They lived in London and rented a cottage at Speen, north of High Wycombe in Buckinghamshire, where they were introduced to Eric Gill, nearby at Piggots, and met David Jones. In 1933 the Collinses visited Paris, where they saw the work of Paul Klee and visited Gertrude Stein's apartment. They became friendly with Mark Tobey after his exhibition at Beaux Arts Gallery. Collins held his first exhibition at the Bloomsbury Gallery (Oct. 1935), where he showed some of his most important early paintings, including The Fall of Lucifer (1933), which indicated the mystical direction of his work. He published a poem in The New English Weekly in 1936 and a painting and a drawing were included in the International Exhibition of Surrealism (New Burlington Galleries, 1936). In the same year, the couple moved to Devon, attending Tobey's classes at Dartington Hall. Collins held an exhibition in the Barn Studio (1937) attached to the Dartington Hall Art Department and, after Tobey's departure in 1938, he taught there (1939-43) alongside Bernard Leach, Hein Heckroth and Willi Soukop (q.v). The combination of interests in Far Eastern art and philosophy and German Expressionist performance proved important, and it was there that Collins began the series of Fools. Between 1944 and 1948, the Collinses divided their time between London and Cambridge. His exhibition at Lefevre's (Feb. 1944) escaped major damage even though blown off the walls in an air raid, and two more exhibitions in London followed in 1945. This period saw the publication of the first monograph on the artist by Alex Comfort (Cecil Collins: Paintings and Drawings 1935-45, 1946) and Collins's own major text written in 1944, The Vision of the Fool (1947). Both confirmed the artist's links with the poets of the 'Apocalypse' group and the associated inclination towards a visionary Neo-Romanticism in painting. In Cambridge from 1948, the Collinses were part of a circle, including the painters Nan Youngman and Elisabeth Vellacott, which founded the Cambridge Society of Painters and Sculptors (1955). From 1951, Collins also taught life drawing part-time with Mervyn Peake at the Central School of Art in London. He had a major retrospective at the Whitechapel Gallery in 1959, which included some 'matrical' paintings, which developed mystical images from gestural beginnings. The Collinses moved to Chelsea in 1970. He received a number of religious commissions, making an altar front for the Chapel of St Clement in Chichester Cathedral (1973), for which Elisabeth made kneelers, and windows for St Michael and All Saints, Basingstoke (1985). In 1979 he was awarded the MBE. A retrospective of his prints at the Tate Gallery in 1981, was followed by one of paintings and drawings in 1989. The painter died on 4 June 1989, during the course of this exhibition. Bibliography http://www.tate.org.uk/art/artists/cecil-collins-930 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cecil Collins Identifier An unambiguous reference to the resource within a given context 930 Cecil Collins Describing Femininity https://midterm.shearerj.sites.carleton.edu/files/original/64f10439d17db00e27a7050f204aba3e.jpg 44f54b95b5c304288c4e3ca6f20b2982 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Describing Femininity at the Tate, 1950-1955: Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Physical Dimensions The actual physical size of the original image object: 430 x 235 x 215 mm, 10.8 kg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Circe Head Creator An entity primarily responsible for making the resource Reg Butler Source A related resource from which the described resource is derived Accession Number: T03867 Publisher An entity responsible for making the resource available Tate Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1952-53 Rights Information about rights held in and over the resource Purchased with assistance from the Gytha Trust 1984 © The estate of Reg Butler Type The nature or genre of the resource Bronze Identifier An unambiguous reference to the resource within a given context 1885 Describing Femininity Reg Butler